4K Frame

A new digital film camera that features a revolutionary 12K RGBW sensor in the versatile PYXIS camera design. This new model uses the same sensor as the URSA Cine 12K LF with a stunning 16-foot dynamic range, a pair of CFexpress media recorders, 10G Ethernet and Blackmagic Cloud global sync, all in a customizable body. PL Mount model. Availability is expected for July 2025. Blackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD to DCI 4K, 6K, 8K and even 12K. The Blackmagic PYXIS 12K offers a sensor that allows you to shoot at 12K, 8K or 4K resolutions at full sensor size. You can shoot up to 40 frames per second at 12288 x 8040 3:2 open gate, 60 frames per second at 12288 x 5112 2.4:1 and 112 frames per second at 4096 x 2160 4K. Blackmagic PYXIS models feature a large full-frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040. This is nearly three times larger than the Super 35 sensor and allows customers to shoot with shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. Whether shooting in bright light or almost no light, the huge dynamic range with the high-performance sensor delivers stunning low-noise images in all lighting conditions. In addition, PYXIS allows customers to shoot up to 112 frames per second. This amazing sensor gives customers the quality that the most expensive digital film cameras have. Using the entire sensor area gives customers a unique 3:2 open gate image, which also allows them to reformat the footage in post-production. The large sensor also allows them to work in true 6:5 anamorphic format without cropping, making wide-angle film shots more detailed and higher resolution than before.

Sony FX3A pilna kadra kino kamera ar 35 mm sensoru, 4K 120fps ierakstu un S-Cinetone krāsu profilu profesionālai video uzņemšanai.

The Cine 18 offers a perfect blend of screen size, brightness, colour-accuracy, and portability, making it the most flexible High-Bright 4K Monitor for any production scenario. It’s big enough for Video Village, bright enough for daylight viewing, and its ultra-lightweight aluminum unibody construction is the result of years of real-world, on-set testing. Features include 1100nits brightness, exceptional image quality, 1000:1 contrast ratio, and 4x 12G-SDI Inputs/Outputs for workflows up to 4K resolution. Ideal for Video Village, ACs, DPs, DITs, or as a director’s monitor. Big enough for Video Village. Bright enough for daylight viewing. Lightweight and rugged for challenging locations. SmallHD 4K Production Monitors are powered by the trusted PageOS software platform. PageOS was designed for simplicity and speed– featuring tools like Frame Guides, Focus & Exposure Assist, and 3D LUTs to help streamline your workflow. PageOS includes our Livegrade integration and improvements on many of the features you know and love. 18inch 4K High-Bright Monitor Display: 18", 3840 x 2160, 1100nits Backlight Type: Edgelit LCD SDI: 4x 12G-SDI in, 4x 12G-SDI out HDMI: 1x HDMI 2.0 in, 1x HDMI 2.0 out Power Input: 1x 4-pin XLR

The Roland V-600UHD is a powerful 4K HDR multi-format video switcher that integrates Full HD and 4K sources with seamless scaling, 10-bit 4:4:4 color processing, and HDR support-ideal for IMAG, live events, and professional video workflows.   Upgrade your video production capabilities with the Roland V-600UHD 4K HDR Multi-Format Video Switcher, engineered for seamless integration of Full HD and 4K sources in hybrid workflows. Designed to support simultaneous HD and UHD output, this advanced switcher allows you to gradually transition to a full 4K setup as needed-without sacrificing compatibility or visual fidelity. The V-600UHD preserves rich detail in nuanced lighting scenarios using HDR (High Dynamic Range) technology, while its 60 Hz frame rate support ensures smooth motion in live environments. With BT.2020 color gamut support and 10-bit 4:4:4 color processing, it delivers vivid, accurate color with reduced banding-ideal for IMAG (Image Magnification), broadcast, or corporate productions. Equipped with four HDMI 2.0 and two 12G-SDI inputs, the V-600UHD automatically scales incoming signals up to DCI 4K resolution. Outputs include three HDMI 2.0 and one 12G/3G-SDI, all capable of downscaling for HD displays while simultaneously supporting 4K. A customizable multiview lets you monitor all sources on a single screen, and dot-by-dot scaling ensures LED display compatibility without the need for external scalers. Key Features: Integrates HD and 4K video sources with simultaneous output Supports HDR, BT.2020, and 10-bit 4:4:4 color for superior image quality 4 HDMI 2.0 & 2 12G-SDI inputs with automatic scaling 3 HDMI 2.0 & 1 12G/3G-SDI outputs with downscaling support Multiview output and LED display dot-by-dot compatibility Ideal for live events, broadcast, IMAG, and professional AV setups Video Processing:4:4:4 (Y/Pb/Pr), 10-bit Input Connectors: HDMI IN 1–4: HDMI Type A (HDMI 2.0) SDI IN 5–6: BNC (12G/3G/HD-SDI, SMPTE 2082, 424M, 292M) RGB IN 1: HD DB-15 (Analog RGB; selectable with menu) Output Connectors: SDI OUTPUT: BNC (12G/3G-SDI, SMPTE 2082, 424M) HDMI OUT 1–3: HDMI Type A (HDMI 2.0) MULTI-VIEW: HDMI Type A (HDMI 1.4) Input Formats: HDMI Video (CEA-861-F): 720p/50/59.94, 1080i/50/59.94, 1080p/50/59.94, 2160p/50/59.94 (UHD/DCI 4K) HDMI PC (VESA/CEA): 1024x768/60Hz, 1280x768/60Hz, 1280x1024/60Hz 1400x1050/60Hz, 1600x1200/60Hz 1920x1080/30/60Hz, 1920x1200/60Hz (RB) 3840x2160/24/30/60Hz, 4096x2160/24/30/60Hz RGB (VESA/CEA): 1600x1200/60Hz, 1920x1080/60Hz SDI (SMPTE): ST274: 1080i/50/59.94, 1080p/50/59.94 ST2036: 2160p/50/59.94 (UHD 4K) ST2048: 2160p/50/59.94 (DCI 4K) Still Images: BMP: max 4096x2160, 24-bit, uncompressed PNG: max 4096x2160 (alpha not supported) Output Formats: HDMI Video (CEA-861-F): 1080p/50/59.94, 2160p/50/59.94 (UHD/DCI 4K) HDMI PC (CEA-861-F): 1920x1080/30/60Hz, 3840x2160/30/60Hz, 4096x2160/30/60Hz 1920x1080/30Hz available when Down Convert is enabled SDI (SMPTE): 1080p/50/59.94, 2160p/50/59.94 (UHD/DCI 4K) Video Standards: VESA DMT, VESA CVT, CEA-861-F Color Gamut: Rec.709, Rec.2020 Dynamic Range: SDR, HDR PQ (HDR10), HDR HLG Video Effects: Transitions: Mix, Cut, Wipe (9 patterns) Composition: PinP, Key, PinP + Key (Luminance or Chroma Key) DSK: PinP, Key, PinP + Key Others: Output Fade, Freeze, Capture Audio Processing:24-bit / 48 kHz Audio Formats: SDI IN/OUT: Linear PCM, 24-bit / 48 kHz, 16 ch (SMPTE 299M) HDMI IN/OUT: Linear PCM, 24-bit / 48 kHz, 2 ch Audio Connectors: AUDIO IN L/R: XLR-3-31 (balanced) AUDIO OUT L/R: XLR-3-32 (balanced) PHONES: Stereo mini jack Audio Specs: Input Level: +4 dBu (max +24 dBu), 15 kΩ Output Level: +4 dBu (max +24 dBu), 600 Ω Headphones: 92 mW + 92 mW (32 Ω), 10 Ω Audio Effects: Matrix mixer Delay (1 ms steps, max 500 ms) Test tone output Other Connectors: USB MEMORY: USB A RS-232: DB-9 (Male, remote control) LAN: RJ45, 100BASE-TX (remote control) TALLY/GPI: DB-25 (Tally x16, GPI x8) XLR pinout: 1 GND, 2 HOT, 3 COLD Power Consumption:80 W Operating Temperature:0–40°C /

A variant of the DJI Ronin camera/stabilizer kit with the Zenmuse X9-8K camera. The Zenmuse X9-8K full frame camera is equipped with a DL mount with support for all current DJI carbon body lenses including 16, 24, 35 and 50mm. Interchangeable Sony E-mount or Leica M-mount bayonets are also available. Dual native ISO 800/5000 sensitivity, 14+ EV dynamic range, motorized ND filter system, record to 8K30 ProRes 422 HQ 17:9 Full Frame, DCI 4K60 ProRes 422 HQ or H.264 17:9 Full Frame or Super 35, LiDAR AF technology, DJI ActiveTrack Pro, recording to external ProSSD 1TB USB-C drive or CFexpress Type-B cards, powered by TB50 batteries (as in Ronin 2 and Inspire 2) with approximately 2.5 h of recording time. DJI technologies are integrated in the Ronin 4D into one cutting-edge and comprehensive cinematography solution that offers groundbreaking flexibility for solo videographers and unlimited possibilities for coordinated shooting. This powerful next-generation cinema camera has been designed and built to be the future of filmmaking. Integration and modularity DJI Ronin 4D offers a completely unique design. Its solid body is made of carbon fiber and aluminum-magnesium alloy, and combines imaging, stabilization and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and allows you to start shooting faster. Enjoy compact convenience along with extensive modular accessory options. High performance Ronin 4D is equipped with the Zenmuse X9, DJI's top-of-the-line full-frame camera. It also features CineCore 3.0, DJI's latest image processing system. This system uses a proprietary chip for extremely high computing power. CineCore 3.0 allows the Ronin 4D to internally record Apple ProRes RAW, ProRes 422 HQ and H.264 video. It also enables video recording at resolutions up to 8K/75 fps and 4K/120 fps! High resolution and sensitivity DCI 8K (8192x4320)/60 fps video preserves every detail, from rich foliage to inspiring architecture, from skin texture to hair strands. For those who need 4K output, 8K recording offers unprecedented creative possibilities with greater flexibility for cropping, compositing and stabilizing videos in post-production. The Zenmuse X9 supports dual native ISO (X9-8K: 800/4000; X9-6K: 800/5000) to capture images with excellent detail and minimal noise, whether you're shooting an evening cityscape, a beach or a scene lit by dim candlelight. Dynamic range With more than 14 steps of dynamic range, the Zenmuse X9 delivers natural transitions of highlights and shadows in difficult lighting conditions, such as scenes in backlight and direct sunlight. These traditionally difficult scenes can now be captured with ease and confidence. DJI Color Science Thanks to the DJI Cinema Color System (DCCS) and the robust computing power provided by CineCore 3.0, Zenmuse X9 can give images a cinematic look by maintaining authentic and accurate colors. It also supports the industry standard ACES workflow for seamless compatibility with the color tones of other film cameras. Built-in ND filters The X9 has built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be switched quickly and easily thanks to an internal motorized system. These filters have also been designed to match and complement the Ronin 4D colours. DL lenses The standard X9 DL mount supports three compact full-frame lenses. The housings are made from lightweight carbon fibre, so each lens weighs just 180g. Interchangeable bayonets The X9 supports interchangeable lens bayonets, including DJI's own DL bayonet, as well as third-party bayonets such as Leica M, Sony E and others. Ultra-wide-angle lenses with high f/0.95 aperture, electronic zoom, macro and anamorphic lenses that are compatible with traditional film cameras will also work on the X9, providing flexibility in lens selection. Wireless control Whether you're using manual or autofocus lenses, you can achieve wireless lens control and even autofocus with

Sony FR7 Cinema Line 4K pilna kadra PTZ kamera ar 35 mm CMOS sensoru, 120 fps 4K ierakstu un attālinātu vadību radošai kameras novietošanai.

"Sony BURANO 8.6K Full-Frame Cinema Camera" yra pirmoji pasaulyje skaitmeninė kino kamera su keičiamu E-mount ir PL-mount objektyvu, todėl yra suderinama su visais "Super35" ir "Full-Frame PL" objektyvais. Dėl kompaktiškos ir lengvos konstrukcijos ji yra išskirtinis įrankis filmų kūrėjams, kuriems reikia išlikti veržliems per ilgas filmavimo dienas. Fotoaparato 8,6K viso kadro jutiklis atspindi nepaprastas "Sony VENICE" galimybes, kartu su dideliu 16 žingsnių dinaminiu diapazonu ir dvigubu baziniu ISO diapazonu 800/3200, kad būtų užtikrintas minimalus triukšmas net ir prastai apšviestoje aplinkoje. BURANO pasižymi išskirtiniu lankstumu, todėl ja galima filmuoti iki 30 kadrų per sekundę FF 8,6K, 60 kadrų per sekundę FF crop 6K, S35 5,8K ir įspūdingais 120 kadrų per sekundę S35 crop 4K. Korpuse esantis vaizdo stabilizavimas ir fazės aptikimo automatinio fokusavimo sistema su 627 taškais taip pat užtikrins, kad jūsų objektas būtų sufokusuotas itin tiksliai ir filmuota medžiaga būtų nuolat sklandi ir nepriekaištinga.       VISO KADRO 8.6K JUTIKLIS     BURANO turi didelį 36x24 mm viso kadro vaizdo jutiklį, kuris užtikrina aukštos kokybės vaizdus ir puikų atvaizdavimą su plačia diapazonu ir turtinga spalvų gama. Juo pasiekiamas gražus bokeh efektas ir dinamiškas fotografavimas plačiu kampu, kurį gali užtikrinti tik viso kadro jutiklis. 8K vaizdo kokybė - didžiausia raiška 8632 x 4856, o dėl perskirstymo galima išgauti fenomenalios išvaizdos 4K turinį.             PLATI SPALVŲ GAMA             "BURANO" turi "Sony" firminę S-Gamut/S-Gamut.Cine plačią spalvų erdvę, kuri, kaip ir "VENICE 2", apima platesnę nei BT.2020 ir DCI-P3 spalvų gamą. S-Log3 ir X-OCN taip pat labai padidina kūrybinį lankstumą po gamybos. Kadangi BURANO pasižymi tokiu pat spalvų tikslumu kaip ir VENICE 2, abi kameras lengva naudoti kartu ir taip užtikrinti vientisą bei veiksmingą postprodukcijos darbo eigą.             VIDINIS 16 BITŲ X-OCN LT IR XAVC H ĮRAŠYMAS Nepaisant kompaktiškų matmenų, BURANO galima įrašyti į vidinį X-OCN LT*, taip pat naująjį XAVC H ir patikrintą pramonės standarto XAVC-I formatą. X-OCN yra "Sony" suspaustas RAW formatas, kuriame įrašoma viskas, ką gali užfiksuoti 8,6K jutiklis, į plačios platumos 16 bitų scenos linijinį failą, kupiną sodrios tonų gradacijos. Didelis "X-OCN LT" efektyvumas sumažina saugojimo reikalavimus ir pagreitina 8K turinio failų perkėlimo laiką, kad po gamybos būtų galima atlikti darbo eigą, prilygstančią 4K projektui. BURANO taip pat turi 10 bitų S-Log3 su XAVC H-I HQ įrašymu 1200 Mbps greičiu ir XAVC H-I SQ įrašymu 800 Mbps greičiu, kad būtų užtikrinta 8K30p vaizdo kokybė. Tai leidžia dar labiau taupyti duomenis ir pagreitinti postprodukcijos darbo eigą. * Nesuderinama su X-OCN XT ir X-OCN ST įrašymo formatais.                     4 NAUJOS IŠVAIZDOS "BURANO" turi keturias naujas išvaizdas - "Warm", "Cool", "Vintage" ir "Teal" bei "Orange" - kurias galima rinktis kartu su nusistovėjusiomis s709 ir 709 (800) išvaizdomis "Cine EI" režimu. Kūrybiškai pritaikytos tipiniams filmavimo scenarijams, jos suteikia operatoriui galimybę rinktis išskirtines, patrauklias išvaizdas vienu mygtuko paspaudimu. Be to, į šių klipų metaduomenis galima įterpti filmavimo LUT duomenis ir taip užtikrinti veiksmingą spalvų darbo eigą. s709: į "Kodak 2383" panašūs natūralūs tonai ir spalvos; s709(800): Standartinė 709 tonų kreivė, užtikrinanti tikslų spalvų atkūrimą. "Teal and Orange": šiuolaikiška, spalvinga, kontrastinga klasikinio filmo išvaizdos pertvarka. Tai ideali išvaizda filmams, kuriuose daugiausia dėmesio skiriama žmonėms. "Warm": švelni, minkšta išvaizda su gintaro atspalviais, tinkančiais odai. "Cool": primena šešėlio šaltį ir saulėlydžio mėlyną spalvą - idealiai tinka vidurnakčio mėlynai arba miesto vėsai auštant. "Vintage": perkelia didelės raiškos kino kameros kokybę į ankstesnius laikus. Atrodo kaip kino juostos balinimas ir išblukusios, blyškios sepijos efektas.           OBJEKTYVO TVIRTINIMO LANKSTUMAS BURANO turi pramonėje