Focus Sam

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal lengths, high apertures up to T/1.4 and exceptional image quality! On sale from 9/10 2024. With a high aperture of up to T/1.4 (depending on model), DZOFilm Arles film lenses excel in low-light shooting and provide a shallow depth of field for aesthetic separation of foreground subjects. With a wide-open aperture, they ensure smooth rendering of intricate details of light and shadow, and also offer consistent color reproduction. Equipped with interchangeable PL (standard) and EF (optional) bayonets, Arles lenses offer broad compatibility with a variety of film cameras, providing filmmakers with unmatched versatility. They are also compatible with DZOFilm Koop magnetically mounted rear filters! They are compatible with professional cameras with FF or VV sized sensors up to medium format (up to 43.8 x 32.9 mm, 25-50 mm) or large format devices such as the ALEXA 65 (54.12 x 25.59 mm; 75-180 mm). Lenses with focal lengths of 14 mm, 21 mm and 25 mm contain two aspherical elements each, which improves image quality in low light. Thanks to their high-precision construction, they effectively correct spherical aberration and coma and minimize wide-angle distortion and astigmatism. The entire line uses low dispersion optical materials that suppress chromatic aberration, resulting in exceptional optical performance. Built-in floating lens elements substantially minimize aberration during focus transitions from infinity to near; minimizing breathing is commonplace. The internal structure uses sandblasting and anodizing techniques to create an effective anti-reflective layer with very low reflectivity. Even when shooting directly against the light, the lenses provide clear and sharp images. The range also uses an advanced multi-layer optics surface treatment and features a specially calibrated blue coating to minimise reflections and effectively reduce stray light and ghosting. This ensures stable and controllable glare. Designed to work seamlessly with standard film accessories, DZOFilm Arles lenses have a uniform 95mm front diameter. With a standard M0.8 gear design and uniform placement of focus and aperture rings across the range, changing lenses and accessories requires no repositioning of the rig, greatly increasing efficiency when shooting. With the exception of the 135mm and 180mm lenses, all lenses have the same body length, further simplifying lens changes. Their lightweight and compact design (weighing between 1.4 and 1.9 kg) allows easy integration with stabilizers, drones and steadicams, opening up unlimited shooting possibilities, including handheld, vehicle, shoulder and aerial shooting. Focus 14 mm 21 mm 40 mm 135 mm 180 mm Colour Black Bayonet PL / EF F-stop T/1.9-T/22 T/1.4-T/22 T/1.8-T/22 T/2.4-T/22 Average φ46,5 mm (VV/FF) Optical construction 15 elements in 12 groups 14 elements in 12 groups 13 elements in 11 groups 12 elements in 8 groups 12 elements in 9 groups Focal distance 52 mm (PL) /44 mm (EF) Min. focusing distance 0,28 m 0,33 m 0,4 m 0,98 m 1,07 m Aperture Manual (65°) Manual (77°) Manual (83°) Manual (88°) Focusing Manual (270°) Front diameter φ95 mm Length 121 mm (PL), 129 mm (EF) 130 mm (PL), 138 mm (EF) Aperture Lamellae 16 Filter size / M86 Ring gearing M0,8 Material Aluminium alloy Weight ≈1490 g ≈1650 g ≈1688 g ≈1662 g ≈1830 g

MacBook Pro Performance The fastest of everything. The M5 chip joins the M4 Pro and M4 Max. Each of these chips delivers phenomenal single- and multi-core CPU performance and features faster unified memory, enabling speeds you could only dream of. With the powerful Neural Accelerators in the M5, AI tasks can be executed at lightning speed. Every GPU core in the M5 chip includes a powerful Neural Accelerator, significantly accelerating AI tasks such as image generation in diffusion models or processing prompts in large language models (LLMs). The 16-core Neural Engine powering Apple Intelligence ensures on-device AI runs efficiently, delivering high performance while remaining energy-efficient. Run demanding graphics workflows with responsiveness that keeps up with your imagination. The M5 chips GPU features upgraded shader cores and a third-generation ray tracing engine, making games more realistic and immersive. Dynamic caching optimizes unified memory usage, greatly enhancing GPU performance. The result is an extraordinary leap in performance for the most demanding games and professional apps. Three chips. Infinite possibilities. The M5 chip delivers breakthrough speed and powerful on-device AI tools for students, professionals, and creatives alike. Built for AI. From the chip up. Apple silicon and all its key subsystems are designed with AI in mind, integrating hardware, software, and ecosystem into one powerful platform. This allows demanding AI tasks to run directly on the device with remarkable energy efficiency. Built-in security and privacy features are fully integrated into the system, not just added on. Apple Intelligence. You task it. It delivers. Apple Intelligence helps you write, express yourself, and manage tasks effortlessly. Turn a quick note into a professional announcement. Remove unwanted objects from photos using the Clean tool. Create unique images with new ChatGPT styles in Image Playground. Use smart actions in the Shortcuts app to automate workflows-for example, compare audio transcripts with notes or extract key information from a PDF. Apple Intelligence is your AI. Make it work for you. Powerful capabilities. With strong privacy protection. Apple Intelligence is designed to continuously protect your privacy. Data is processed directly on your Mac and stays integrated with it. It can access your personal information without storing it. With Apple Intelligences breakthrough private cloud computing, it can also leverage larger models on Apple silicon-powered servers to handle more complex queries while keeping your data private. All-day battery without the plug. The MacBook Pro offers the longest battery life in Mac history-up to 24 hours. With fast charging, you can reach 50% in just 30 minutes. All models deliver the same outstanding performance whether plugged in or not, so you can focus on your passions instead of hunting for an outlet. macOS Tahoe Latest. Yet familiar. macOS Tahoe introduces a fresh yet familiar look-Liquid Glass. Its the most beautiful and powerful version of macOS ever, with new ways to boost productivity, seamless iPhone integration, and even better utilization of Apple Intelligence. Mac + iPhone Together, they do even more. Mac and iPhone are remarkable on their own. Together, they are magical. With Continuity, you can seamlessly switch between devices to share files and photos, move tasks, or even make calls without picking up your phone. Apps Got a challenge? Theres an app for that. From essential office tools to your favorite games and professional apps, tens of thousands of apps are optimized to fully leverage Apple silicon. On the MacBook Pro, everything runs like a dream. Display Prepare to be dazzled. Working from a sunny terrace or a dark studio? No problem. The stunning Liquid Retina XDR display offers up to 1600 nits of peak brightness in HDR mode. In bright light, SDR content reaches up to 1000 nits for better outdoor visibility. In dark environments, brightness drop

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal lengths, high apertures up to T/1.4 and exceptional image quality! On sale from 9/10 2024. With a high aperture of up to T/1.4 (depending on model), DZOFilm Arles film lenses excel in low-light shooting and provide a shallow depth of field for aesthetic separation of foreground subjects. With a wide-open aperture, they ensure smooth rendering of intricate details of light and shadow, and also offer consistent color reproduction. Equipped with interchangeable PL (standard) and EF (optional) bayonets, Arles lenses offer broad compatibility with a variety of film cameras, providing filmmakers with unmatched versatility. They are also compatible with DZOFilm Koop magnetically mounted rear filters! They are compatible with professional cameras with FF or VV sized sensors up to medium format (up to 43.8 x 32.9 mm, 25-50 mm) or large format devices such as the ALEXA 65 (54.12 x 25.59 mm; 75-180 mm). Lenses with focal lengths of 14 mm, 21 mm and 25 mm contain two aspherical elements each, which improves image quality in low light. Thanks to their high-precision construction, they effectively correct spherical aberration and coma and minimize wide-angle distortion and astigmatism. The entire line uses low dispersion optical materials that suppress chromatic aberration, resulting in exceptional optical performance. Built-in floating lens elements substantially minimize aberration during focus transitions from infinity to near; minimizing breathing is commonplace. The internal structure uses sandblasting and anodizing techniques to create an effective anti-reflective layer with very low reflectivity. Even when shooting directly against the light, the lenses provide clear and sharp images. The range also uses an advanced multi-layer optics surface treatment and features a specially calibrated blue coating to minimise reflections and effectively reduce stray light and ghosting. This ensures stable and controllable glare. Designed to work seamlessly with standard film accessories, DZOFilm Arles lenses have a uniform 95mm front diameter. With a standard M0.8 gear design and uniform placement of focus and aperture rings across the range, changing lenses and accessories requires no repositioning of the rig, greatly increasing efficiency when shooting. With the exception of the 135mm and 180mm lenses, all lenses have the same body length, further simplifying lens changes. Their lightweight and compact design (weighing between 1.4 and 1.9 kg) allows easy integration with stabilizers, drones and steadicams, opening up unlimited shooting possibilities, including handheld, vehicle, shoulder and aerial shooting. Focus 14 mm 21 mm 40 mm 135 mm 180 mm Colour Black Bayonet PL / EF F-stop T/1.9-T/22 T/1.4-T/22 T/1.8-T/22 T/2.4-T/22 Average φ46,5 mm (VV/FF) Optical construction 15 elements in 12 groups 14 elements in 12 groups 13 elements in 11 groups 12 elements in 8 groups 12 elements in 9 groups Focal distance 52 mm (PL) /44 mm (EF) Min. focusing distance 0,28 m 0,33 m 0,4 m 0,98 m 1,07 m Aperture Manual (65°) Manual (77°) Manual (83°) Manual (88°) Focusing Manual (270°) Front diameter φ95 mm Length 121 mm (PL), 129 mm (EF) 130 mm (PL), 138 mm (EF) Aperture Lamellae 16 Filter size / M86 Ring gearing M0,8 Material Aluminium alloy Weight ≈1490 g ≈1650 g ≈1688 g ≈1662 g ≈1830 g

The HyperDeck Shuttle 4K Pro 2TB from Blackmagic Design is an advanced recorder and player with a large 7" touchscreen LCD display for previews and scopes. The large search wheel and broadcast controls are ideal for browsing media and selecting the desired clip to play. Availability is expected for June 2025. Connection via 12G-SDI allows connection to professional broadcast equipment. It supports 4K file recording and playback, HD proxy work, scopes display, 3D LUTs and network recording over fast 10G Ethernet. Included with this variant is a 2TB M.2 PCIe NVMe cache recording card that can handle up to 16Gbps. The slot supports 60mm 80mm and 110mm cards. This new live media player and master recorder features ergonomic physical control buttons that allow you to scroll through large amounts of media and play clips. The large 7-inch HDR display has buttons for play, pause and record, as well as a mini playback timeline that lets you scroll through your clips. Also included is a "HUD" (heads-up display) that shows important information such as timecode, media status and audio meters. In addition, you can activate full broadcast scopes on the touch screen and enable features like focus assist and RGB exposure histogram. HyperDeck Shuttle 4K Pro settings can be changed directly via the on-screen menu. In addition, you can record and save 3D LUTs. The bright LCD display has a wider color gamut, so it supports both Rec. 2020 and Rec. 709 color spaces. The HyperDeck Shuttle 4K Pro 2TB supports 12G-SDI and HDMI for recording to Apple ProRes, DNx, H.264 and H.265 in all video standards up to 2160p60. With 10G Ethernet and internal M.2 storage, the HyperDeck Shuttle 4K Pro is also network storage. This means it can share its media with editors and colorists. At the same time, synchronization to the Blackmagic Cloud is possible. The HyperDeck Shuttle 4K Pro 2TB model has slots for M.2 cards, so network storage is built right into the device. This means that any editing system can simply connect to the device and access all media from one location. DaVinci Resolve can even edit media while it is being recorded. New broadcast features make DaVinci Resolve a great solution for live editing. Storage management is simple - just browse your network storage and select the folder you want to record to. HyperDeck Shuttle 4K Pro 2TB supports H.265 recording and playback. It offers high compression ratios from 60:1 to 285:1, so you get small files at full broadcast quality. For audio, you can choose uncompressed PCM or AAC, which is ideal for uploading videos to YouTube. HyperDeck Shuttle supports both ExFAT (Windows) and HFS+ (Mac) drive formats, so drives can be attached and read on both platforms. Recording long events to a single video file is also supported. The device is equipped with the latest 12G-SDI video connectors. The 12G-SDI technology is multi-rate, meaning that a single connector can handle connections to devices in SD, HD and Ultra HD formats. It supports NTSC and PAL in standard definition. HD 720p standards include 720p50 and 720p59.94. Interlaced 1080i HD formats include 1080i50 and 1080i59.94. Television 1080p HD standards include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. The HyperDeck Shuttle 4K Pro even supports 1080 PsF formats . Over 12G-SDI, it also handles Ultra HD in all TV standards including 2160p23.98, 24, 25, 29.97, 50, 59.94 and 60p. The model is equipped with extremely fast 10G Ethernet. The network speed is so fast that many editors and colorists can simultaneously connect to the built-in M.2 storage in the HyperDeck over the network. Files can also be transferred via a user-friendly web interface (HTTP/S) or an FTP client. HyperDeck Shuttle 4K Pro 2TB is a fully self-contained broadcast server designed for ingest (media ingest), media management and content playback. Connection: SDI video inputs: 1 1SDI loop outputs 2SDI video outputs 1SDI monitoring output: 1 SDI speeds: 270 Mbps, 1.5G, 3G, 6G, 12G

Irix Cine Explorers Set Sony E Metric [ICEPS-SE-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Canon EF Metric [ICEPS-EF-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set MFT Imperial [ICEPS-MFT-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Nikon Z Imperial [ICEPS-Z-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set L-mount Metric [ICEPS-L-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Fuji X Imperial [ICEPS-FX-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Canon RF Metric [ICEPS-RF-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set MFT Metric [ICEPS-MFT-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Canon EF Imperial [ICEPS-EF-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Fuji X Metric [ICEPS-FX-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Nikon Z Metric [ICEPS-Z-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set L-mount Imperial [ICEPS-L-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set Sony E Imperial [ICEPS-SE-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set PL-mount Imperial [ICEPS-PL-I]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Irix Cine Explorers Set PL-mount Metric [ICEPS-PL-M]: top-quality set of Irix lenses; 21mm, 30mm, 45mm, 65mm; standardized lenses to make your set work easier; same color, contrast, and sharpnes; T1.5 set allowing anyone to get into film production; essential for filmmakers. Excelling in: cinematic portraits, narrative filmmaking, and documentary work. Irix lenses are designed to complement each other when working in the set. Each has the same distances of focus and Irix gears to make swapping them much easier. Similar weight and size help to avoid rebalancing tripod, steadicam or gimbal. Irix lens optics are designed to provide the same picture. Preserving contrast, color, and sharpness across the whole set.

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal length, wide T1.4 aperture and exceptional image quality! A set of five DZOFilm Arles lenses with focal lengths of 25, 35, 50, 75 and 100mm. On sale from 7/2024. Covers VV/FF sensors Wide T1.4 aperture 16 lens hood 95 mm outer diameter and M86 thread for filters 270° focus ring range Aperture and focus rings with M0.8 gearing Interchangeable bayonet (PL as standard, EF optional) and scales Lightweight 1.4-1.9 kg depending on model With a T1.4 ultra-wide aperture, the Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage. Designed to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range.With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment, greatly enhancing on-set efficiency. Except for the 135mm and 180mm, all lenses maintain the same body length, further simplifying equipment changes. Equipped with interchangeable PL and EF mounts, the Arles offers wide compatibility with various cinema cameras, empowering filmmakers with unparalleled versatility. Compatible with DZOFilm Koop rear filters, featuring magnetic installation and lightweight flexibility, allowing for purer imagery and inspiring endless creative possibilities. Their lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, opening limitless shooting possibilities, including handheld, vehicle-mounted, shoulder-mounted, and aerial shots. Compatible with larger format sensors, it offers coverage for medium format cameras such as the 43.8 × 32.9mm format with focal lengths ranging from 25mm to 50mm, as well as large format cameras like the ALEXA 65 (54.12 × 25.59 mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent filmmaking to large-scale film production.  The 14mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element), which improves image quality in low-light conditions. With micron-level precision manufacturing, these lenses maintain a lightweight and compact form while effectively correcting spherical aberration and coma, reducing onion-ring bokeh, and minimizing wide-angle distortion and astigmatism. The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, improving optical performance. Its minimal breathing immerses viewers in each frame, amplifying the emotional impact of the scenes. The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing diffuse reflections. Even when shooting directly against the light, the lenses deliver clean and sharp images. Across the entire focal range, color temperatures remain consistent around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style. Using advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating to minimize reflections and effectively reduce stray light and ghosting. This ensures stable and controllable flares.  Foc