Sharp 65

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal lengths, high apertures up to T/1.4 and exceptional image quality! On sale from 9/10 2024. With a high aperture of up to T/1.4 (depending on model), DZOFilm Arles film lenses excel in low-light shooting and provide a shallow depth of field for aesthetic separation of foreground subjects. With a wide-open aperture, they ensure smooth rendering of intricate details of light and shadow, and also offer consistent color reproduction. Equipped with interchangeable PL (standard) and EF (optional) bayonets, Arles lenses offer broad compatibility with a variety of film cameras, providing filmmakers with unmatched versatility. They are also compatible with DZOFilm Koop magnetically mounted rear filters! They are compatible with professional cameras with FF or VV sized sensors up to medium format (up to 43.8 x 32.9 mm, 25-50 mm) or large format devices such as the ALEXA 65 (54.12 x 25.59 mm; 75-180 mm). Lenses with focal lengths of 14 mm, 21 mm and 25 mm contain two aspherical elements each, which improves image quality in low light. Thanks to their high-precision construction, they effectively correct spherical aberration and coma and minimize wide-angle distortion and astigmatism. The entire line uses low dispersion optical materials that suppress chromatic aberration, resulting in exceptional optical performance. Built-in floating lens elements substantially minimize aberration during focus transitions from infinity to near; minimizing breathing is commonplace. The internal structure uses sandblasting and anodizing techniques to create an effective anti-reflective layer with very low reflectivity. Even when shooting directly against the light, the lenses provide clear and sharp images. The range also uses an advanced multi-layer optics surface treatment and features a specially calibrated blue coating to minimise reflections and effectively reduce stray light and ghosting. This ensures stable and controllable glare. Designed to work seamlessly with standard film accessories, DZOFilm Arles lenses have a uniform 95mm front diameter. With a standard M0.8 gear design and uniform placement of focus and aperture rings across the range, changing lenses and accessories requires no repositioning of the rig, greatly increasing efficiency when shooting. With the exception of the 135mm and 180mm lenses, all lenses have the same body length, further simplifying lens changes. Their lightweight and compact design (weighing between 1.4 and 1.9 kg) allows easy integration with stabilizers, drones and steadicams, opening up unlimited shooting possibilities, including handheld, vehicle, shoulder and aerial shooting. Focus 14 mm 21 mm 40 mm 135 mm 180 mm Colour Black Bayonet PL / EF F-stop T/1.9-T/22 T/1.4-T/22 T/1.8-T/22 T/2.4-T/22 Average φ46,5 mm (VV/FF) Optical construction 15 elements in 12 groups 14 elements in 12 groups 13 elements in 11 groups 12 elements in 8 groups 12 elements in 9 groups Focal distance 52 mm (PL) /44 mm (EF) Min. focusing distance 0,28 m 0,33 m 0,4 m 0,98 m 1,07 m Aperture Manual (65°) Manual (77°) Manual (83°) Manual (88°) Focusing Manual (270°) Front diameter φ95 mm Length 121 mm (PL), 129 mm (EF) 130 mm (PL), 138 mm (EF) Aperture Lamellae 16 Filter size / M86 Ring gearing M0,8 Material Aluminium alloy Weight ≈1490 g ≈1650 g ≈1688 g ≈1662 g ≈1830 g

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal lengths, high apertures up to T/1.4 and exceptional image quality! On sale from 9/10 2024. With a high aperture of up to T/1.4 (depending on model), DZOFilm Arles film lenses excel in low-light shooting and provide a shallow depth of field for aesthetic separation of foreground subjects. With a wide-open aperture, they ensure smooth rendering of intricate details of light and shadow, and also offer consistent color reproduction. Equipped with interchangeable PL (standard) and EF (optional) bayonets, Arles lenses offer broad compatibility with a variety of film cameras, providing filmmakers with unmatched versatility. They are also compatible with DZOFilm Koop magnetically mounted rear filters! They are compatible with professional cameras with FF or VV sized sensors up to medium format (up to 43.8 x 32.9 mm, 25-50 mm) or large format devices such as the ALEXA 65 (54.12 x 25.59 mm; 75-180 mm). Lenses with focal lengths of 14 mm, 21 mm and 25 mm contain two aspherical elements each, which improves image quality in low light. Thanks to their high-precision construction, they effectively correct spherical aberration and coma and minimize wide-angle distortion and astigmatism. The entire line uses low dispersion optical materials that suppress chromatic aberration, resulting in exceptional optical performance. Built-in floating lens elements substantially minimize aberration during focus transitions from infinity to near; minimizing breathing is commonplace. The internal structure uses sandblasting and anodizing techniques to create an effective anti-reflective layer with very low reflectivity. Even when shooting directly against the light, the lenses provide clear and sharp images. The range also uses an advanced multi-layer optics surface treatment and features a specially calibrated blue coating to minimise reflections and effectively reduce stray light and ghosting. This ensures stable and controllable glare. Designed to work seamlessly with standard film accessories, DZOFilm Arles lenses have a uniform 95mm front diameter. With a standard M0.8 gear design and uniform placement of focus and aperture rings across the range, changing lenses and accessories requires no repositioning of the rig, greatly increasing efficiency when shooting. With the exception of the 135mm and 180mm lenses, all lenses have the same body length, further simplifying lens changes. Their lightweight and compact design (weighing between 1.4 and 1.9 kg) allows easy integration with stabilizers, drones and steadicams, opening up unlimited shooting possibilities, including handheld, vehicle, shoulder and aerial shooting. Focus 14 mm 21 mm 40 mm 135 mm 180 mm Colour Black Bayonet PL / EF F-stop T/1.9-T/22 T/1.4-T/22 T/1.8-T/22 T/2.4-T/22 Average φ46,5 mm (VV/FF) Optical construction 15 elements in 12 groups 14 elements in 12 groups 13 elements in 11 groups 12 elements in 8 groups 12 elements in 9 groups Focal distance 52 mm (PL) /44 mm (EF) Min. focusing distance 0,28 m 0,33 m 0,4 m 0,98 m 1,07 m Aperture Manual (65°) Manual (77°) Manual (83°) Manual (88°) Focusing Manual (270°) Front diameter φ95 mm Length 121 mm (PL), 129 mm (EF) 130 mm (PL), 138 mm (EF) Aperture Lamellae 16 Filter size / M86 Ring gearing M0,8 Material Aluminium alloy Weight ≈1490 g ≈1650 g ≈1688 g ≈1662 g ≈1830 g

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal lengths, high apertures up to T/1.4 and exceptional image quality! On sale from 9/10 2024. With a high aperture of up to T/1.4 (depending on model), DZOFilm Arles film lenses excel in low-light shooting and provide a shallow depth of field for aesthetic separation of foreground subjects. With a wide-open aperture, they ensure smooth rendering of intricate details of light and shadow, and also offer consistent color reproduction. Equipped with interchangeable PL (standard) and EF (optional) bayonets, Arles lenses offer broad compatibility with a variety of film cameras, providing filmmakers with unmatched versatility. They are also compatible with DZOFilm Koop magnetically mounted rear filters! They are compatible with professional cameras with FF or VV sized sensors up to medium format (up to 43.8 x 32.9 mm, 25-50 mm) or large format devices such as the ALEXA 65 (54.12 x 25.59 mm; 75-180 mm). Lenses with focal lengths of 14 mm, 21 mm and 25 mm contain two aspherical elements each, which improves image quality in low light. Thanks to their high-precision construction, they effectively correct spherical aberration and coma and minimize wide-angle distortion and astigmatism. The entire line uses low dispersion optical materials that suppress chromatic aberration, resulting in exceptional optical performance. Built-in floating lens elements substantially minimize aberration during focus transitions from infinity to near; minimizing breathing is commonplace. The internal structure uses sandblasting and anodizing techniques to create an effective anti-reflective layer with very low reflectivity. Even when shooting directly against the light, the lenses provide clear and sharp images. The range also uses an advanced multi-layer optics surface treatment and features a specially calibrated blue coating to minimise reflections and effectively reduce stray light and ghosting. This ensures stable and controllable glare. Designed to work seamlessly with standard film accessories, DZOFilm Arles lenses have a uniform 95mm front diameter. With a standard M0.8 gear design and uniform placement of focus and aperture rings across the range, changing lenses and accessories requires no repositioning of the rig, greatly increasing efficiency when shooting. With the exception of the 135mm and 180mm lenses, all lenses have the same body length, further simplifying lens changes. Their lightweight and compact design (weighing between 1.4 and 1.9 kg) allows easy integration with stabilizers, drones and steadicams, opening up unlimited shooting possibilities, including handheld, vehicle, shoulder and aerial shooting. Focus 14 mm 21 mm 40 mm 135 mm 180 mm Colour Black Bayonet PL / EF F-stop T/1.9-T/22 T/1.4-T/22 T/1.8-T/22 T/2.4-T/22 Average φ46,5 mm (VV/FF) Optical construction 15 elements in 12 groups 14 elements in 12 groups 13 elements in 11 groups 12 elements in 8 groups 12 elements in 9 groups Focal distance 52 mm (PL) /44 mm (EF) Min. focusing distance 0,28 m 0,33 m 0,4 m 0,98 m 1,07 m Aperture Manual (65°) Manual (77°) Manual (83°) Manual (88°) Focusing Manual (270°) Front diameter φ95 mm Length 121 mm (PL), 129 mm (EF) 130 mm (PL), 138 mm (EF) Aperture Lamellae 16 Filter size / M86 Ring gearing M0,8 Material Aluminium alloy Weight ≈1490 g ≈1650 g ≈1688 g ≈1662 g ≈1830 g

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal length, wide T1.4 aperture and exceptional image quality! A set of five DZOFilm Arles lenses with focal lengths of 25, 35, 50, 75 and 100mm. On sale from 7/2024. Covers VV/FF sensors Wide T1.4 aperture 16 lens hood 95 mm outer diameter and M86 thread for filters 270° focus ring range Aperture and focus rings with M0.8 gearing Interchangeable bayonet (PL as standard, EF optional) and scales Lightweight 1.4-1.9 kg depending on model With a T1.4 ultra-wide aperture, the Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage. Designed to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range.With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment, greatly enhancing on-set efficiency. Except for the 135mm and 180mm, all lenses maintain the same body length, further simplifying equipment changes. Equipped with interchangeable PL and EF mounts, the Arles offers wide compatibility with various cinema cameras, empowering filmmakers with unparalleled versatility. Compatible with DZOFilm Koop rear filters, featuring magnetic installation and lightweight flexibility, allowing for purer imagery and inspiring endless creative possibilities. Their lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, opening limitless shooting possibilities, including handheld, vehicle-mounted, shoulder-mounted, and aerial shots. Compatible with larger format sensors, it offers coverage for medium format cameras such as the 43.8 × 32.9mm format with focal lengths ranging from 25mm to 50mm, as well as large format cameras like the ALEXA 65 (54.12 × 25.59 mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent filmmaking to large-scale film production.  The 14mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element), which improves image quality in low-light conditions. With micron-level precision manufacturing, these lenses maintain a lightweight and compact form while effectively correcting spherical aberration and coma, reducing onion-ring bokeh, and minimizing wide-angle distortion and astigmatism. The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, improving optical performance. Its minimal breathing immerses viewers in each frame, amplifying the emotional impact of the scenes. The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing diffuse reflections. Even when shooting directly against the light, the lenses deliver clean and sharp images. Across the entire focal range, color temperatures remain consistent around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style. Using advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating to minimize reflections and effectively reduce stray light and ghosting. This ensures stable and controllable flares.  Foc